In 1996, Independence Day took the world by storm to the tune of upwards $800 million at the box office while also becoming a pop culture phenomenon. Being the lazy fucks they are, the movie’s producers shelled out Independence Day: Resurgence almost two decades later, in the hopes of repeating a success story from the ’90s.
20 years after failing to exterminate humanity, the aliens from Independence Day return with a deadly vengeance. More powerful and angrier than before, the aliens face a united and now technologically advanced humanity that won’t go down without a fight.
Resurgence is the kind of movie that’s inoffensive yet so fucking boring that watching it only begs questions regarding its existence, not a sense of escapist fun or even jaded anger. In time where the cynical business side of filmmaking is more obvious than ever, Resurgence is a slight relief – but that’s like saying a fart is better than the unfiltered stench of feces.
Lazy Space Invaders
Resurgence deserves credit for showing a post-alien invasion Earth, where humanity not only achieved interplanetary travel, but attained world peace as well. You know Resurgence proudly embraces its Science-Fiction trappings because it depicts a united humanity – not one on the eve of destruction thanks to a bunch of immature motherfuckers in public office.
But Resurgence can’t work on world-building alone, and applauding it because of a nice backdrop is as shallow as praising an atrocity like Enteng Kabisote 10 and the Abangers because the director had the courtesy to take the cover off the camera’s lens. Resurgence simply fails to do what makes a movie good and entertaining. It’s hard to worry for humanity’s fate in the movie, making it more difficult to care about what’s happening onscreen.
This is because the new characters are a bloated collection of tired action movie stereotypes; including and not limited to: a Hotshot Pilot, his Brooding Foil, an obvious Love Interest, the Hot Foreigner, and too many obnoxious Comic Reliefs who fuck the tone up with ill-timed quips made during scenes of destruction. What little creative energy Resurgence has is used to justify the return of old characters like everyman turned unlikely hero David Levinson (Jeff Goldblum) or former American President Whitmore (Bill Pullman), who make extended cameos while phoning in predictable one-liners and call-backs to the much superior first installment.
The worst thing about Resurgence is not how its most interesting part is a promotional website detailing its alternate history, but how little effort was exerted in the actual film. Even with the original creators on board, Resurgence has a strikingly poor understanding of what made the first Independence Day a hit, resulting in a forgettable follow-up to an unmistakable cornerstone of the 90’s.
Days Of Aliens Past
Independence Day is no thought-provoking classic, but it set a standard for big-scale movies at the time, and it was one hell of an entertaining ride. Independence Day knew it was a cheesy melodrama that took place during an alien invasion, and it gave no fucks. This resulted in one of the best examples of cinematic junk food ever put to film that people can still enjoy today.
Its sequel has no interest in making a name for itself, instead, content to retrace the footsteps of its predecessor. Resurgence is a pale imitation of the first movie, but with none of the energy and excitement. Where Independence Day could be seen as an underdog story in a war between worlds, Resurgence is the very same fight but only with the cheat codes on. The fights may be faster and flashier, but they lack the tension that made the previous conflict worth watching in the first place.
Resurgence had the chance to be different by focusing on a world in the aftermath of a thwarted alien invasion. There’s a lot of lore that’s glanced at in the opening minutes of Resurgence (such as the decades long ground war in Africa, a generation of the first invasion’s survivors, and how humans reverse-engineered alien technology), and these would have been far more interesting than what the sequel actually settled for. Instead, Resurgence falls back to the formula of 90’s action movies, never realizing how dated and petty shitty quips and love triangles are – especially when these are put at the forefront of a global cataclysm where millions of lives are lost every second.
It took two decades to make Resurgence, and this shows in the worst ways possible. If the goal of Resurgence was to feel like it was 20 years too late, then it did a stellar job at being outdated. Where the campiness of Independence Day has a nostalgic charm to it, Resurgence only annoys viewers by rehashing material that lost its luster way before the sequel even began production.
No Will, No Thrill
While Resurgence isn’t the worst delayed sequel ever made, it’s still insignificant and wholly pointless. Independence Day stands on its own thanks to its charisma that’s best represented by its star, Will Smith – whose absence in the sequel leaves a lot to be desired. Resurgence merely exists, being yet another orgy of special effects that means nothing despite the excess of explosions that leave viewers indifferent.
Resurgence even ends with one of the most blatant set-ups for a sequel since DC’s sad attempts to create a shared universe. This, despite the fact that Independence Day never earned the right to bear a franchise in the first place. Independence Day succeeded as a stand-alone movie back in 1996, and it still does now. All Resurgence does is shit on this legacy by turning a cinematic alien invasion into a tedious chore instead of the spectacle it should be.
Make no mistake, the first movie is fucking corny, but it gets a pass for being a product of its time that provides fun, nostalgic memories. Independence Day: Resurgence is the equivalent of the first movie reliving its glory days while refusing to acknowledge the changing times, and the final product is as pathetic as it sounds.
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